Timeless
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 3m
- Energy
- 68/100
- Pop
- 33/100
- Length
- 21:02
- Released
- 1995
- Genre
- Drum N Bass
- Loudness
- -11.0 dB
- Dynamics
- 14.4 dB
- ISRC
- GBANR9500073
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Timeless - 25 Year Remasteroriginal9A · 155
- Timeless (Instrumental) - 25 Year Remasteroriginal10A · 155
At 155 BPM in B minor (10A), Timeless is a fast drum n bass production. Tonally it lands dark and driving. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1995 production that still circulates in sets. Better known than 96% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 83% of Goldie's catalogue
- Energy:
- calmer than 82% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Timeless in?
Timeless by Goldie is in B minor, or 10A on the Camelot wheel.
What BPM is Timeless?
Timeless runs at 155 BPM, a fast track.
What mixes well with Timeless?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Timeless good for peak time?
With energy 68 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 155 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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