Rave TV Skit, Part One
- BPM
- 79
- Double-time
- 158
- Open Key
- 8d
- Energy
- 49/100
- Pop
- 0/100
- Length
- 1:38
- Released
- 2010
- Genre
- Drum N Bass
- Loudness
- -10.9 dB
- ISRC
- GBCJY1017604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rave TV Skit, Part One is a drum n bass track in D♭ major (3B) at 79 BPM. It reads as bright and easy. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Slower than 99% of Danny Byrd's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 99% of Danny Byrd's catalogue
- Energy:
- calmer than 95% of Danny Byrd's catalogue
- Brightness:
- brighter than 94% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rave TV Skit, Part One in?
Rave TV Skit, Part One by Danny Byrd is in D♭ major, or 3B on the Camelot wheel.
What BPM is Rave TV Skit, Part One?
Rave TV Skit, Part One runs at 79 BPM.
What mixes well with Rave TV Skit, Part One?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Rave TV Skit, Part One good for peak time?
With energy 49 out of 100 at 79 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 79 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 79 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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