Get Me Down by Nia Archives cover art

Get Me Down

Nia Archives

Key
3A · B♭ minor
BPM
160
Half-time
80
Open Key
8m
Energy
82/100
Pop
60/100
Length
3:14
Released
2026
Genre
Jungle
Loudness
-5.3 dB
ISRC
GBUM72602221

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast jungle cut, Get Me Down sits in B♭ minor (3A) at 160 BPM. The feel is dark and driving. It is vocal-led. Better known than 97% of Nia Archives's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 84% of Nia Archives's catalogue
Brightness:
darker than 82% of Nia Archives's catalogue
Energy:
calmer than 76% of Nia Archives's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood27Dark
Groove51
Acoustic0
Instrumental7
Live22
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Get Me Down in?

Get Me Down by Nia Archives is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Get Me Down?

Get Me Down runs at 160 BPM, a very fast track.

What mixes well with Get Me Down?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Get Me Down good for peak time?

With energy 82 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 160 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More jungle

#TrackKey·BPM

More from Nia Archives

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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