Waited All Night - Nia Archives Remix
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 46/100
- Length
- 3:09
- Released
- 2024
- Album
- Waited All Night (Nia Archives Remix)
- Genre
- House
- Label
- Young
- Loudness
- -4.3 dB
- Dynamics
- 9.7 dB
- ISRC
- UK7MC2400250
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Waited All Night - Nia Archives Remix runs 170 BPM in D♭ major (3B), a very fast house record. The feel is bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Brighter than 97% of Nia Archives's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 87% of Nia Archives's catalogue
- Energy:
- hotter than 82% of Nia Archives's catalogue
- Reach:
- better known than 79% of Nia Archives's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Waited All Night - Nia Archives Remix in?
Waited All Night - Nia Archives Remix by Nia Archives is in D♭ major, or 3B on the Camelot wheel.
What BPM is Waited All Night - Nia Archives Remix?
Waited All Night - Nia Archives Remix runs at 170 BPM, a very fast track.
What mixes well with Waited All Night - Nia Archives Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Waited All Night - Nia Archives Remix good for peak time?
With energy 98 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 170 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More house
More from Nia Archives
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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