Auld Lang Syne : Auld Lang Syne
- BPM
- 168
- Half-time
- 84
- Open Key
- 11d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 3:20
- Released
- 2012
- Genre
- Tech House
- Loudness
- -8.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 168 BPM in B♭ major (6B), Auld Lang Syne : Auld Lang Syne is a very fast tech house production. It reads as balanced in mood. It is vocal-led. A 2012 production that still circulates in sets. More underground than 99% of Fisher's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 97% of Fisher's catalogue
- Groove:
- less groove-driven than 83% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Auld Lang Syne : Auld Lang Syne in?
Auld Lang Syne : Auld Lang Syne by Fisher is in B♭ major, or 6B on the Camelot wheel.
What BPM is Auld Lang Syne : Auld Lang Syne?
Auld Lang Syne : Auld Lang Syne runs at 168 BPM, a very fast track.
What mixes well with Auld Lang Syne : Auld Lang Syne?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Auld Lang Syne : Auld Lang Syne good for peak time?
With energy 60 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 168 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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