Control The Party - Edit
30s preview
- BPM
- 169
- Half-time
- 85
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:19
- Released
- 2019
- Album
- Control The Party
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 10.5 dB
- ISRC
- GBUM71904964
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Control The Party - TSHA Remixremix10A · 127
- Control The Party - Denham Audio's After Party Mixoriginal2B · 133
- Control The Partyoriginal9B · 127
Against the original (2B at 133 BPM), this version runs 36 BPM faster and moves the key from 2B to 10A.
Control The Party - Edit: very fast house, B minor (10A), 169 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Prospa's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of Prospa's catalogue
- Tempo:
- faster than 98% of Prospa's catalogue
- Groove:
- less groove-driven than 93% of Prospa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Control The Party - Edit in?
Control The Party - Edit by Prospa is in B minor, or 10A on the Camelot wheel.
What BPM is Control The Party - Edit?
Control The Party - Edit runs at 169 BPM, a very fast track.
What mixes well with Control The Party - Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Control The Party - Edit good for peak time?
With energy 90 out of 100 at 169 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 169 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
More house
More from Prospa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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