Testing Isrc by Roger Sanchez cover art

Testing Isrc

Roger Sanchez

30s preview

Key
7A · D minor
BPM
165
Half-time
83
Open Key
12m
Energy
75/100
Pop
4/100
Length
2:17
Released
2022
Genre
House
Loudness
-6.4 dB
Dynamics
7.3 dB
ISRC
DEH742208045

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 165 BPM in D minor (7A), Testing Isrc is a very fast house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 98% of Roger Sanchez's catalogue.

Groove:
less groove-driven than 97% of Roger Sanchez's catalogue
Reach:
better known than 76% of Roger Sanchez's catalogue
Low end:
more bass-heavy than 76% of Roger Sanchez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood59Balanced
Groove55
Acoustic0
Instrumental86
Live10
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Testing Isrc in?

Testing Isrc by Roger Sanchez is in D minor, or 7A on the Camelot wheel.

What BPM is Testing Isrc?

Testing Isrc runs at 165 BPM, a very fast track.

What mixes well with Testing Isrc?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Testing Isrc good for peak time?

With energy 75 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 165 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Roger Sanchez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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