Run by Ross From Friends cover art
Key
7B · F major
BPM
160
Half-time
80
Open Key
12d
Energy
31/100
Pop
25/100
Length
6:10
Released
2021
Genre
House
Loudness
-15.9 dB
ISRC
GBCFB2100493

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 160 BPM in F major (7B), Run is a very fast house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 97% of Ross From Friends's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
darker than 96% of Ross From Friends's catalogue
Tempo:
faster than 94% of Ross From Friends's catalogue
Groove:
less groove-driven than 93% of Ross From Friends's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy31
Mood8Dark
Groove36
Acoustic12
Instrumental92
Live49
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Run in?

Run by Ross From Friends is in F major, or 7B on the Camelot wheel.

What BPM is Run?

Run runs at 160 BPM, a very fast track.

What mixes well with Run?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Run good for peak time?

With energy 31 out of 100 at 160 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 160 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Ross From Friends

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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