holding on like it’s the last time
- Key
- 1B · B major
- BPM
- 78
- Double-time
- 156
- Open Key
- 6d
- Energy
- 32/100
- Pop
- 12/100
- Length
- 6:40
- Released
- 2023
- Genre
- Progressive House
- Loudness
- -17.7 dB
- ISRC
- GBEWA2300425
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive house cut, holding on like it’s the last time sits in B major (1B) at 78 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 98% of Leaving Laurel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 98% of Leaving Laurel's catalogue
- Energy:
- calmer than 96% of Leaving Laurel's catalogue
- Brightness:
- darker than 89% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is holding on like it’s the last time in?
holding on like it’s the last time by Leaving Laurel is in B major, or 1B on the Camelot wheel.
What BPM is holding on like it’s the last time?
holding on like it’s the last time runs at 78 BPM.
What mixes well with holding on like it’s the last time?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is holding on like it’s the last time good for peak time?
With energy 32 out of 100 at 78 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 78 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 73-83 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 78 — beatmatch without a big tempo pull.
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More progressive house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 78 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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