and those guardian angels carried you away
30s preview
- BPM
- 110
- Open Key
- 11d
- Energy
- 49/100
- Pop
- 19/100
- Length
- 5:40
- Released
- 2023
- Genre
- Deep House
- Loudness
- -12.7 dB
- Dynamics
- 10.3 dB
- ISRC
- GBEWA2300420
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
and those guardian angels carried you away: mid-tempo deep house, B♭ major (6B), 110 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 91% of Leaving Laurel's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Leaving Laurel's catalogue
- Low end:
- more bass-heavy than 87% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is and those guardian angels carried you away in?
and those guardian angels carried you away by Leaving Laurel is in B♭ major, or 6B on the Camelot wheel.
What BPM is and those guardian angels carried you away?
and those guardian angels carried you away runs at 110 BPM, a mid-tempo track.
What mixes well with and those guardian angels carried you away?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is and those guardian angels carried you away good for peak time?
With energy 49 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 110 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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