Sometimes It’s Scary but It’s Still Just You and Me (LL mix)
- BPM
- 83
- Double-time
- 166
- Open Key
- 7d
- Energy
- 30/100
- Pop
- 34/100
- Length
- 4:23
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -17.0 dB
- ISRC
- GBEWA2501740
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A downtempo progressive house cut, Sometimes It’s Scary but It’s Still Just You and Me (LL mix) sits in F♯ major (2B) at 83 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Less groove-driven than 99% of Leaving Laurel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Leaving Laurel's catalogue
- Tempo:
- slower than 96% of Leaving Laurel's catalogue
- Reach:
- better known than 91% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sometimes It’s Scary but It’s Still Just You and Me (LL mix) in?
Sometimes It’s Scary but It’s Still Just You and Me (LL mix) by Leaving Laurel is in F♯ major, or 2B on the Camelot wheel.
What BPM is Sometimes It’s Scary but It’s Still Just You and Me (LL mix)?
Sometimes It’s Scary but It’s Still Just You and Me (LL mix) runs at 83 BPM, a downtempo track.
What mixes well with Sometimes It’s Scary but It’s Still Just You and Me (LL mix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Sometimes It’s Scary but It’s Still Just You and Me (LL mix) good for peak time?
With energy 30 out of 100 at 83 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 83 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 78-88 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 83 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 83 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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