Sanctuary
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8m
- Energy
- 34/100
- Pop
- 8/100
- Length
- 7:39
- Released
- 2000
- Genre
- House
- Loudness
- -19.9 dB
- Dynamics
- 8.3 dB
- ISRC
- GBBVL0000208
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in B♭ minor (3A), Sanctuary is a house production. Tonally it lands warm and mellow. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. Calmer than 99% of Gene Farris's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 99% of Gene Farris's catalogue
- Groove:
- less groove-driven than 99% of Gene Farris's catalogue
- Low end:
- more bass-heavy than 99% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 56%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Sanctuary in?
Sanctuary by Gene Farris is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sanctuary?
Sanctuary runs at 174 BPM.
What mixes well with Sanctuary?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sanctuary good for peak time?
With energy 34 out of 100 at 174 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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