Thrill Me - Marsbeing Remix
- BPM
- 180
- Half-time
- 90
- Open Key
- 8m
- Energy
- 27/100
- Pop
- 26/100
- Length
- 3:44
- Released
- 2014
- Album
- Thrill Me 2014
- Genre
- Progressive House
- Loudness
- -17.6 dB
- ISRC
- GBKQU1461046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Thrill Me - Slow Fish Remixremix4A · 122
- Thrill Me - Max Meyer Remixremix3B · 126
- Thrill Me - Future Disciple Remixremix4A · 128
- Thrill Me - Hayley Parsons Remixremix4A · 128
- Thrill Me - LTN Remixremix4A · 130
- Thrill Me - Stellar Crew Remixremix4A · 128
Thrill Me - Marsbeing Remix: progressive house, B♭ minor (3A), 180 BPM. It reads as brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Faster than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Jerome Isma-Ae's catalogue
- Groove:
- less groove-driven than 96% of Jerome Isma-Ae's catalogue
- Reach:
- better known than 96% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Thrill Me - Marsbeing Remix in?
Thrill Me - Marsbeing Remix by Jerome Isma-Ae is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Thrill Me - Marsbeing Remix?
Thrill Me - Marsbeing Remix runs at 180 BPM.
What mixes well with Thrill Me - Marsbeing Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Thrill Me - Marsbeing Remix good for peak time?
With energy 27 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 180 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.