The Werewolf
- Key
- 5A · C minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 10m
- Energy
- 5/100
- Pop
- 0/100
- Length
- 2:24
- Released
- 2017
- Album
- Suburban Cowboy (Original Motion Picture Soundtrack)
- Genre
- House
- Loudness
- -22.2 dB
- ISRC
- USQY51784191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Werewolf is a house track in C minor (5A) at 180 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Dirty South's catalogue.
- Tempo:
- faster than 98% of Dirty South's catalogue
- Groove:
- less groove-driven than 97% of Dirty South's catalogue
- Energy:
- calmer than 96% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Werewolf in?
The Werewolf by Dirty South is in C minor, or 5A on the Camelot wheel.
What BPM is The Werewolf?
The Werewolf runs at 180 BPM.
What mixes well with The Werewolf?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is The Werewolf good for peak time?
With energy 5 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 180 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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