Sweet Disposition - Axwell & Dirty South Remix
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 62/100
- Pop
- 23/100
- Length
- 6:46
- Released
- 2009
- Album
- Sweet Disposition (Remixes)
- Genre
- House
- Loudness
- -7.4 dB
- Dynamics
- 11.5 dB
- ISRC
- GBZUZ0900026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sweet Disposition - Axwell & Dirty South Remix runs 129 BPM in F♯ minor (11A), a peak-time tempo house record. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Better known than 92% of Dirty South's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 89% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Sweet Disposition - Axwell & Dirty South Remix in?
Sweet Disposition - Axwell & Dirty South Remix by Dirty South is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sweet Disposition - Axwell & Dirty South Remix?
Sweet Disposition - Axwell & Dirty South Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Sweet Disposition - Axwell & Dirty South Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sweet Disposition - Axwell & Dirty South Remix good for peak time?
With energy 62 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.