Part Fourteen
- Key
- 4A · F minor
- BPM
- 129
- Open Key
- 9m
- Energy
- 62/100
- Pop
- 39/100
- Length
- 4:48
- Released
- 2018
- Genre
- Techno
- Loudness
- -12.1 dB
- ISRC
- DEE861800403
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in F minor (4A), Part Fourteen is a peak-time tempo techno production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Better known than 89% of Paul Kalkbrenner's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 77% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Part Fourteen in?
Part Fourteen by Paul Kalkbrenner is in F minor, or 4A on the Camelot wheel.
What BPM is Part Fourteen?
Part Fourteen runs at 129 BPM, a peak-time tempo track.
What mixes well with Part Fourteen?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Part Fourteen good for peak time?
With energy 62 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 129 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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