Call Me (Emmanuel Top Remix)
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2017
- Album
- Nost Rmxs 1
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 7.6 dB
- ISRC
- DEAE61700028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call Me - Gerd Janson Remixremix2B · 130
- Call Me - Kyoka Remixremix3B · 128
- Call Me (XDB Remix)remix3B · 123
- Call Meoriginal3B · 128
- Call Me (K-HAND Remix)remix2B · 128
Against the original (3B at 128 BPM), this version holds the same tempo and moves the key from 3B to 12A.
Call Me (Emmanuel Top Remix): peak-time tempo techno, D♭ minor (12A), 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Ellen Allien's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 82% of Ellen Allien's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Call Me (Emmanuel Top Remix) in?
Call Me (Emmanuel Top Remix) by Ellen Allien is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Call Me (Emmanuel Top Remix)?
Call Me (Emmanuel Top Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Call Me (Emmanuel Top Remix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Call Me (Emmanuel Top Remix) good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Ellen Allien
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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