Lights Off by Ellen Allien cover art

Lights Off

Ellen Allien

Key
10A · B minor
BPM
142
Half-time
71
Open Key
3m
Energy
73/100
Pop
28/100
Length
4:09
Released
2026
Genre
Techno
Loudness
-9.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Lights Off sits in B minor (10A) at 142 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 97% of Ellen Allien's catalogue. For programming, treat it as a floor-filler.

Tempo:
faster than 93% of Ellen Allien's catalogue
Groove:
groovier than 87% of Ellen Allien's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood35Balanced
Groove81
Acoustic2
Instrumental88
Live14
Speech24

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lights Off in?

Lights Off by Ellen Allien is in B minor, or 10A on the Camelot wheel.

What BPM is Lights Off?

Lights Off runs at 142 BPM, a driving up-tempo track.

What mixes well with Lights Off?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Lights Off good for peak time?

With energy 73 out of 100 at 142 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Ellen Allien

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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