M-Tallic by Mark Broom cover art

M-Tallic

Mark Broom

30s preview

Key
2B · F♯ major
BPM
141
Half-time
71
Open Key
7d
Energy
71/100
Pop
33/100
Length
5:01
Released
2026
Genre
Techno
Loudness
-7.4 dB
Dynamics
8.0 dB
ISRC
GB2AF2500081

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 141 BPM in F♯ major (2B), M-Tallic is a driving up-tempo techno production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Mark Broom's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 84% of Mark Broom's catalogue
Groove:
less groove-driven than 79% of Mark Broom's catalogue
Energy:
calmer than 75% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood22Dark
Groove67
Acoustic0
Instrumental92
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is M-Tallic in?

M-Tallic by Mark Broom is in F♯ major, or 2B on the Camelot wheel.

What BPM is M-Tallic?

M-Tallic runs at 141 BPM, a driving up-tempo track.

What mixes well with M-Tallic?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is M-Tallic good for peak time?

With energy 71 out of 100 at 141 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 141 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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