Funky Sounds by Mark Broom cover art

Funky Sounds

Mark Broom

30s preview

Key
12B · E major
BPM
141
Half-time
71
Open Key
5d
Energy
90/100
Pop
22/100
Length
4:11
Released
2024
Genre
Techno
Loudness
-6.4 dB
Dynamics
10.1 dB
ISRC
GB6WQ2400194

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Funky Sounds sits in E major (12B) at 141 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Mark Broom's catalogue. For programming, treat it as a floor-filler.

Brightness:
darker than 88% of Mark Broom's catalogue
Tempo:
faster than 84% of Mark Broom's catalogue
Low end:
more treble-tilted than 78% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood7Dark
Groove71
Acoustic0
Instrumental92
Live23
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Funky Sounds in?

Funky Sounds by Mark Broom is in E major, or 12B on the Camelot wheel.

What BPM is Funky Sounds?

Funky Sounds runs at 141 BPM, a driving up-tempo track.

What mixes well with Funky Sounds?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Funky Sounds good for peak time?

With energy 90 out of 100 at 141 BPM, it works best as a floor-filler.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 141 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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