Nothing To Do
30s preview
- BPM
- 141
- Half-time
- 71
- Open Key
- 5d
- Energy
- 94/100
- Pop
- 9/100
- Length
- 3:20
- Released
- 2022
- Album
- Circular Motions EP
- Genre
- Techno
- Loudness
- -9.8 dB
- Dynamics
- 10.4 dB
- ISRC
- NLMH62200114
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nothing To Do: driving up-tempo techno, E major (12B), 141 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 92% of Mark Broom's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 85% of Mark Broom's catalogue
- Reach:
- better known than 85% of Mark Broom's catalogue
- Tempo:
- faster than 84% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Nothing To Do in?
Nothing To Do by Mark Broom is in E major, or 12B on the Camelot wheel.
What BPM is Nothing To Do?
Nothing To Do runs at 141 BPM, a driving up-tempo track.
What mixes well with Nothing To Do?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Nothing To Do good for peak time?
With energy 94 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 141 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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