Do It Right by Mark Broom cover art

Do It Right

Mark Broom

30s preview

Key
10A · B minor
BPM
141
Half-time
71
Open Key
3m
Energy
71/100
Pop
25/100
Length
4:14
Released
2025
Genre
Techno
Loudness
-15.8 dB
Dynamics
10.9 dB
ISRC
FR2X42595220

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Do It Right is a driving up-tempo techno track in B minor (10A) at 141 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Better known than 98% of Mark Broom's catalogue. In a set it works best as a high-intensity peak cut.

Brightness:
brighter than 89% of Mark Broom's catalogue
Tempo:
faster than 84% of Mark Broom's catalogue
Groove:
less groove-driven than 75% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood57Balanced
Groove68
Acoustic2
Instrumental61
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Do It Right in?

Do It Right by Mark Broom is in B minor, or 10A on the Camelot wheel.

What BPM is Do It Right?

Do It Right runs at 141 BPM, a driving up-tempo track.

What mixes well with Do It Right?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Do It Right good for peak time?

With energy 71 out of 100 at 141 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 141 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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