Big Jar - 25 Mix by Mark Broom cover art

Big Jar - 25 Mix

Mark Broom

30s preview

Key
11A · F♯ minor
BPM
141
Half-time
71
Open Key
4m
Energy
87/100
Pop
24/100
Length
5:00
Released
2025
Album
Rave Juice EP
Genre
Techno
Loudness
-8.1 dB
Dynamics
10.3 dB
ISRC
GB6WQ2500226

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Big Jar - 25 Mix sits in F♯ minor (11A) at 141 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Mark Broom's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more bass-heavy than 88% of Mark Broom's catalogue
Groove:
less groove-driven than 87% of Mark Broom's catalogue
Tempo:
faster than 84% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood12Dark
Groove64
Acoustic0
Instrumental95
Live5
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is Big Jar - 25 Mix in?

Big Jar - 25 Mix by Mark Broom is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Big Jar - 25 Mix?

Big Jar - 25 Mix runs at 141 BPM, a driving up-tempo track.

What mixes well with Big Jar - 25 Mix?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Big Jar - 25 Mix good for peak time?

With energy 87 out of 100 at 141 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 141 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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