Flex by Mark Broom cover art

30s preview

Key
11A · F♯ minor
BPM
141
Half-time
71
Open Key
4m
Energy
89/100
Pop
14/100
Length
2:57
Released
2025
Genre
Techno
Loudness
-7.0 dB
Dynamics
7.9 dB
ISRC
GBLTF2500013

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 141 BPM in F♯ minor (11A), Flex is a driving up-tempo techno production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 95% of Mark Broom's catalogue. For programming, treat it as a floor-filler.

Reach:
better known than 90% of Mark Broom's catalogue
Tempo:
faster than 84% of Mark Broom's catalogue
Low end:
more treble-tilted than 81% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood72Bright
Groove78
Acoustic0
Instrumental96
Live11
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Flex in?

Flex by Mark Broom is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Flex?

Flex runs at 141 BPM, a driving up-tempo track.

What mixes well with Flex?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Flex good for peak time?

With energy 89 out of 100 at 141 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 141 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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