In From The Night
- BPM
- 142
- Half-time
- 71
- Open Key
- 5m
- Energy
- 94/100
- Pop
- 25/100
- Length
- 5:45
- Released
- 1995
- Album
- Archives
- Genre
- Techno
- Loudness
- -9.2 dB
- ISRC
- GBEWK9500049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In From The Night - Adam Beyer & Wehbba Remixremix10B · 133
- In From The Night - PAS Editversion10A · 139
- In From The Night - PAS Live Editversion10A · 140
A driving up-tempo techno cut, In From The Night sits in D♭ minor (12A) at 142 BPM. The mix is almost entirely instrumental. A 1995 production that still circulates in sets. Brighter than 96% of Planetary Assault Systems's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 95% of Planetary Assault Systems's catalogue
- Reach:
- better known than 95% of Planetary Assault Systems's catalogue
- Energy:
- hotter than 82% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is In From The Night in?
In From The Night by Planetary Assault Systems is in D♭ minor, or 12A on the Camelot wheel.
What BPM is In From The Night?
In From The Night runs at 142 BPM, a driving up-tempo track.
What mixes well with In From The Night?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is In From The Night good for peak time?
With energy 94 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
How to mix it
In 12A at 142 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Planetary Assault Systems
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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