In From The Night - PAS Live Edit
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 6/100
- Length
- 5:20
- Released
- 2022
- Album
- In From The Night (Reworks & Edits)
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 10.7 dB
- ISRC
- BEN582200507
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In From The Night - Adam Beyer & Wehbba Remixremix10B · 133
- In From The Nightoriginal12A · 142
- In From The Night - PAS Editversion10A · 139
Against the original (12A at 142 BPM), this version runs 2 BPM slower and moves the key from 12A to 10A.
In From The Night - PAS Live Edit: driving up-tempo techno, B minor (10A), 140 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 94% of Planetary Assault Systems's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Planetary Assault Systems's catalogue
- Energy:
- hotter than 89% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is In From The Night - PAS Live Edit in?
In From The Night - PAS Live Edit by Planetary Assault Systems is in B minor, or 10A on the Camelot wheel.
What BPM is In From The Night - PAS Live Edit?
In From The Night - PAS Live Edit runs at 140 BPM, a driving up-tempo track.
What mixes well with In From The Night - PAS Live Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is In From The Night - PAS Live Edit good for peak time?
With energy 96 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Planetary Assault Systems
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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