Changing by Mark Broom cover art

Changing

Mark Broom

30s preview

Key
8B · C major
BPM
141
Half-time
71
Open Key
1d
Energy
96/100
Pop
0/100
Length
3:06
Released
2021
Genre
Techno
Loudness
-9.9 dB
Dynamics
9.3 dB
ISRC
GBLTF2100022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 141 BPM in C major (8B), Changing is a driving up-tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a floor-filler.

Energy:
hotter than 93% of Mark Broom's catalogue
Tempo:
faster than 84% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood28Dark
Groove78
Acoustic0
Instrumental84
Live12
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Changing in?

Changing by Mark Broom is in C major, or 8B on the Camelot wheel.

What BPM is Changing?

Changing runs at 141 BPM, a driving up-tempo track.

What mixes well with Changing?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Changing good for peak time?

With energy 96 out of 100 at 141 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 141 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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