Jam Session 002
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 8:15
- Released
- 2016
- Album
- Raw Jamsessions 001
- Genre
- Techno
- Loudness
- -14.5 dB
- Dynamics
- 9.4 dB
- ISRC
- US4LK1602712
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in B minor (10A), Jam Session 002 is a peak-time tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Darker than 99% of Marco Faraone's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Marco Faraone's catalogue
- Low end:
- more bass-heavy than 86% of Marco Faraone's catalogue
- Energy:
- calmer than 81% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Jam Session 002 in?
Jam Session 002 by Marco Faraone is in B minor, or 10A on the Camelot wheel.
What BPM is Jam Session 002?
Jam Session 002 runs at 128 BPM, a peak-time tempo track.
What mixes well with Jam Session 002?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Jam Session 002 good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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