- BPM
- 128
- Open Key
- 7d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2011
- Genre
- Deep House
- Loudness
- -10.0 dB
- ISRC
- DEAF71119899
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Wes runs 128 BPM in F♯ major (2B), a peak-time tempo deep house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Fritz Kalkbrenner's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 92% of Fritz Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Wes in?
Wes by Fritz Kalkbrenner is in F♯ major, or 2B on the Camelot wheel.
What BPM is Wes?
Wes runs at 128 BPM, a peak-time tempo track.
What mixes well with Wes?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Wes good for peak time?
With energy 62 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More deep house
More from Fritz Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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