Bounce to the Beat - Steve Lawler Remix Edit
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 63/100
- Pop
- 1/100
- Length
- 3:41
- Released
- 2019
- Album
- Bounce to the Beat (Steve Lawler Remixes)
- Genre
- House
- Loudness
- -8.9 dB
- Dynamics
- 14.3 dB
- ISRC
- USMKQ1900024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Alaia & Gallo 2k15 Mixoriginal3A · 125
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce to the Beat - Steve Lawler Remixremix3B · 128
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
- Bounce To The Beat - Chris Stussy Remixremix3A · 133
Against the original (3A at 125 BPM), this version runs 3 BPM faster in the same key.
Bounce to the Beat - Steve Lawler Remix Edit is a peak-time tempo house track in B♭ minor (3A) at 128 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 96% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 93% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 91% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Bounce to the Beat - Steve Lawler Remix Edit in?
Bounce to the Beat - Steve Lawler Remix Edit by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Bounce to the Beat - Steve Lawler Remix Edit?
Bounce to the Beat - Steve Lawler Remix Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Bounce to the Beat - Steve Lawler Remix Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Bounce to the Beat - Steve Lawler Remix Edit good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.