Here For You - Bingo Players Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 12/100
- Length
- 4:59
- Released
- 2014
- Album
- Here For You (Remixes)
- Genre
- House
- Loudness
- -4.9 dB
- Dynamics
- 16.9 dB
- ISRC
- GBUM71402624
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here For You - Bearcubs Remixremix12A · 116
- Here For You - Roni Size Remixremix12B · 174
- Here For You - Deetron Remixremix10A · 122
- Here for Youoriginal11A · 122
- Here For You - Joel Compass Remixremix12A · 120
- Here For You - Stripped Sessionoriginal11A · 105
Against the original (11A at 122 BPM), this version runs 6 BPM faster and moves the key from 11A to 3B.
A peak-time tempo house cut, Here For You - Bingo Players Remix sits in D♭ major (3B) at 128 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2014 production that still circulates in sets. More treble-tilted than 88% of Gorgon City's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 81% of Gorgon City's catalogue
- Brightness:
- darker than 77% of Gorgon City's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Here For You - Bingo Players Remix in?
Here For You - Bingo Players Remix by Gorgon City is in D♭ major, or 3B on the Camelot wheel.
What BPM is Here For You - Bingo Players Remix?
Here For You - Bingo Players Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Here For You - Bingo Players Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Here For You - Bingo Players Remix good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Gorgon City
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
