The Dark (feat. Bklava) by Bklava cover art

The Dark (feat. Bklava)

Bklava

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
63/100
Pop
39/100
Length
3:51
Released
2022
Genre
House
Loudness
-11.5 dB
Dynamics
9.0 dB
ISRC
GBAYE2200014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 128 BPM in B♭ minor (3A), The Dark (feat. Bklava) is a peak-time tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 98% of Bklava's catalogue.

Reach:
better known than 97% of Bklava's catalogue
Tempo:
slower than 94% of Bklava's catalogue
Brightness:
darker than 82% of Bklava's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood29Dark
Groove71
Acoustic23
Instrumental74
Live13
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is The Dark (feat. Bklava) in?

The Dark (feat. Bklava) by Bklava is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Dark (feat. Bklava)?

The Dark (feat. Bklava) runs at 128 BPM, a peak-time tempo track.

What mixes well with The Dark (feat. Bklava)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Dark (feat. Bklava) good for peak time?

With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Bklava

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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