Testify by Byron Stingily - Kerri's Club Mix by Kerri Chandler cover art

Testify by Byron Stingily - Kerri's Club Mix

Kerri Chandler

Key
3A · B♭ minor
BPM
127
Open Key
8m
Energy
64/100
Pop
6/100
Length
8:23
Released
2007
Album
Kerri Chandler's Nervous Tracks
Genre
Deep House
Loudness
-14.2 dB
ISRC
USNRS0621118

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo deep house cut, Testify by Byron Stingily - Kerri's Club Mix sits in B♭ minor (3A) at 127 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Faster than 90% of Kerri Chandler's catalogue.

Energy:
calmer than 81% of Kerri Chandler's catalogue
Groove:
less groove-driven than 79% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood60Balanced
Groove73
Acoustic0
Instrumental18
Live31
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Testify by Byron Stingily - Kerri's Club Mix in?

Testify by Byron Stingily - Kerri's Club Mix by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Testify by Byron Stingily - Kerri's Club Mix?

Testify by Byron Stingily - Kerri's Club Mix runs at 127 BPM, a peak-time tempo track.

What mixes well with Testify by Byron Stingily - Kerri's Club Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Testify by Byron Stingily - Kerri's Club Mix good for peak time?

With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More deep house

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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