The Funk Phenomena - Edge Factor Dub
- BPM
- 127
- Open Key
- 5m
- Energy
- 65/100
- Pop
- 2/100
- Length
- 6:50
- Released
- 1996
- Album
- The Funk Phenomena (The Remixes)
- Genre
- House
- Loudness
- -10.1 dB
- ISRC
- USRK31200297
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Funk Phenomenaoriginal12A · 127
- The Funk Phenomena - Radio Editversion12A · 127
- The Funk Phenomena - Matthias Edit 1version3B · 127
- The Funk Phenomena - Matthias Edit 2version3B · 127
- The Funk Phenomena - Starkillers Mixoriginal9B · 128
- The Funk Phenomena - Da Hool Remixremix3B · 128
Against the original (12A at 127 BPM), this version holds the same tempo in the same key.
A peak-time tempo house cut, The Funk Phenomena - Edge Factor Dub sits in D♭ minor (12A) at 127 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. Calmer than 79% of Armand Van Helden's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Funk Phenomena - Edge Factor Dub in?
The Funk Phenomena - Edge Factor Dub by Armand Van Helden is in D♭ minor, or 12A on the Camelot wheel.
What BPM is The Funk Phenomena - Edge Factor Dub?
The Funk Phenomena - Edge Factor Dub runs at 127 BPM, a peak-time tempo track.
What mixes well with The Funk Phenomena - Edge Factor Dub?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is The Funk Phenomena - Edge Factor Dub good for peak time?
With energy 65 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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