Flashing Lights (Starkillers Remix)
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 2011
- Album
- Flashing Lights
- Genre
- Progressive House
- Loudness
- -6.3 dB
- Dynamics
- 11.8 dB
- ISRC
- CH3131100083
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights (Nicky Romero & Nilson Dub)version1B · 127
- Flashing Lights (Nicky Romero & Nilson Remix)remix11A · 127
- Flashing Lights (Original Mix)original1B · 127
- Flashing Lights (Radio Edit)version1A · 127
- Flashing Lights (S.co Remix)remix11A · 127
- Flashing Lights (Vocal Club Mix)version1A · 127
Against the original (1B at 127 BPM), this version holds the same tempo and moves the key from 1B to 3B.
A peak-time tempo progressive house cut, Flashing Lights (Starkillers Remix) sits in D♭ major (3B) at 127 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 91% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 88% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Flashing Lights (Starkillers Remix) in?
Flashing Lights (Starkillers Remix) by Jerome Isma-Ae is in D♭ major, or 3B on the Camelot wheel.
What BPM is Flashing Lights (Starkillers Remix)?
Flashing Lights (Starkillers Remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Flashing Lights (Starkillers Remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Flashing Lights (Starkillers Remix) good for peak time?
With energy 67 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.