Flashing Lights (Nicky Romero & Nilson Remix)
- BPM
- 127
- Open Key
- 4m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 5:31
- Released
- 2011
- Album
- Flashing Lights
- Genre
- Progressive House
- Loudness
- -6.1 dB
- ISRC
- CH3131100080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights (Nicky Romero & Nilson Dub)version1B · 127
- Flashing Lights (Original Mix)original1B · 127
- Flashing Lights (Radio Edit)version1A · 127
- Flashing Lights (S.co Remix)remix11A · 127
- Flashing Lights (Starkillers Remix)remix3B · 127
- Flashing Lights (Vocal Club Mix)version1A · 127
Against the original (1B at 127 BPM), this version holds the same tempo and moves the key from 1B to 11A.
Flashing Lights (Nicky Romero & Nilson Remix): peak-time tempo progressive house, F♯ minor (11A), 127 BPM. A 2011 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Flashing Lights (Nicky Romero & Nilson Remix) in?
Flashing Lights (Nicky Romero & Nilson Remix) by Jerome Isma-Ae is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Flashing Lights (Nicky Romero & Nilson Remix)?
Flashing Lights (Nicky Romero & Nilson Remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Flashing Lights (Nicky Romero & Nilson Remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Flashing Lights (Nicky Romero & Nilson Remix) good for peak time?
With energy 78 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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