Raingarden - Remastered
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 78/100
- Pop
- 11/100
- Length
- 6:18
- Released
- 2016
- Album
- Passengers 2016
- Genre
- Techno
- Label
- Terminal M
- Loudness
- -10.7 dB
- Dynamics
- 11.1 dB
- ISRC
- DEBG51200176
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Raingardenoriginal1B · 138
- Raingarden - Alexander Kowalski Remixremix7A · 132
- Raingarden - Funk D'Void Mixoriginal10B · 138
- Raingarden - Alexander Kowalski Rmxremix7A · 132
- Raingarden - Funk D'void Rmxremix10B · 138
Raingarden - Remastered: peak-time tempo techno, D major (10B), 127 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. Less groove-driven than 81% of Monika Kruse's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 79% of Monika Kruse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Raingarden - Remastered in?
Raingarden - Remastered by Monika Kruse is in D major, or 10B on the Camelot wheel.
What BPM is Raingarden - Remastered?
Raingarden - Remastered runs at 127 BPM, a peak-time tempo track.
What mixes well with Raingarden - Remastered?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Raingarden - Remastered good for peak time?
With energy 78 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Monika Kruse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
