Flashing Lights (Vocal Club Mix) by Jerome Isma-Ae cover art

Flashing Lights (Vocal Club Mix)

Jerome Isma-Ae

30s preview

Key
1A · A♭ minor
BPM
127
Open Key
6m
Energy
68/100
Pop
0/100
Length
8:28
Released
2011
Album
Flashing Lights
Genre
Progressive House
Loudness
-6.6 dB
Dynamics
10.4 dB
ISRC
CH3131000110

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 127 BPM), this version holds the same tempo and moves the key from 1B to 1A.

Flashing Lights (Vocal Club Mix) runs 127 BPM in A♭ minor (1A), a peak-time tempo progressive house record. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 88% of Jerome Isma-Ae's catalogue
Energy:
calmer than 85% of Jerome Isma-Ae's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood14Dark
Groove79
Acoustic0
Instrumental46
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Flashing Lights (Vocal Club Mix) in?

Flashing Lights (Vocal Club Mix) by Jerome Isma-Ae is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Flashing Lights (Vocal Club Mix)?

Flashing Lights (Vocal Club Mix) runs at 127 BPM, a peak-time tempo track.

What mixes well with Flashing Lights (Vocal Club Mix)?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Flashing Lights (Vocal Club Mix) good for peak time?

With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive house

More from Jerome Isma-Ae

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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