Okay - Snello Remix
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2014
- Album
- Okay
- Genre
- Techno
- Loudness
- -8.2 dB
- Dynamics
- 8.2 dB
- ISRC
- BGA771400211
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Okay - Adrian Hour Remixremix10A · 124
- Okay - Original Mixoriginal10A · 125
Against the original (10A at 125 BPM), this version runs 2 BPM faster and moves the key from 10A to 4B.
Okay - Snello Remix is a peak-time tempo techno track in A♭ major (4B) at 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of D-Unity's catalogue.
- Low end:
- more bass-heavy than 97% of D-Unity's catalogue
- Brightness:
- brighter than 93% of D-Unity's catalogue
- Energy:
- calmer than 87% of D-Unity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Okay - Snello Remix in?
Okay - Snello Remix by D-Unity is in A♭ major, or 4B on the Camelot wheel.
What BPM is Okay - Snello Remix?
Okay - Snello Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Okay - Snello Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Okay - Snello Remix good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from D-Unity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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