Flashing Lights (Radio Edit)
30s preview
- BPM
- 127
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2011
- Album
- Flashing Lights
- Genre
- Progressive House
- Loudness
- -5.0 dB
- Dynamics
- 11.7 dB
- ISRC
- CH3131000109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights (Nicky Romero & Nilson Dub)version1B · 127
- Flashing Lights (Nicky Romero & Nilson Remix)remix11A · 127
- Flashing Lights (Original Mix)original1B · 127
- Flashing Lights (S.co Remix)remix11A · 127
- Flashing Lights (Starkillers Remix)remix3B · 127
- Flashing Lights (Vocal Club Mix)version1A · 127
Against the original (1B at 127 BPM), this version holds the same tempo and moves the key from 1B to 1A.
Flashing Lights (Radio Edit): peak-time tempo progressive house, A♭ minor (1A), 127 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Flashing Lights (Radio Edit) in?
Flashing Lights (Radio Edit) by Jerome Isma-Ae is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Flashing Lights (Radio Edit)?
Flashing Lights (Radio Edit) runs at 127 BPM, a peak-time tempo track.
What mixes well with Flashing Lights (Radio Edit)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Flashing Lights (Radio Edit) good for peak time?
With energy 87 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.