
Easy to Love - MatricK Extended Remix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 4:10
- Released
- 2023
- Album
- Feel Again (Remixes)
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 9.8 dB
- ISRC
- NLF712308500
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Easy to Loveoriginal12B · 120
- Easy To Love - Armin van Buuren Club Mixversion3B · 130
- Easy To Love - Armin van Buuren Extended Club Mixversion3B · 130
- Easy To Love - Matoma VIP Mixoriginal11A · 128
- Easy To Love - Matoma Extended VIP Mixversion11A · 128
- Easy To Love - Tanner Wilfong & Assaf Extended Remixremix11A · 125
Against the original (12B at 120 BPM), this version runs 7 BPM faster and moves the key from 12B to 10A.
At 127 BPM in B minor (10A), Easy to Love - MatricK Extended Remix is a peak-time tempo trance production. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 93% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Easy to Love - MatricK Extended Remix in?
Easy to Love - MatricK Extended Remix by Armin van Buuren is in B minor, or 10A on the Camelot wheel.
What BPM is Easy to Love - MatricK Extended Remix?
Easy to Love - MatricK Extended Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Easy to Love - MatricK Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Easy to Love - MatricK Extended Remix good for peak time?
With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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