Satisfy Me (extended mix) by Chris Lake cover art

Satisfy Me (extended mix)

Chris Lake

30s preview

Key
9A · E minor
BPM
127
Open Key
2m
Energy
89/100
Pop
0/100
Length
3:22
Released
2025
Genre
House
Loudness
-5.3 dB
Dynamics
11.8 dB
ISRC
GXFCP2500089

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Satisfy Me (extended mix) is a peak-time tempo house track in E minor (9A) at 127 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 90% of Chris Lake's catalogue
Low end:
more treble-tilted than 80% of Chris Lake's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood84Bright
Groove74
Acoustic0
Instrumental72
Live48
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Satisfy Me (extended mix) in?

Satisfy Me (extended mix) by Chris Lake is in E minor, or 9A on the Camelot wheel.

What BPM is Satisfy Me (extended mix)?

Satisfy Me (extended mix) runs at 127 BPM, a peak-time tempo track.

What mixes well with Satisfy Me (extended mix)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Satisfy Me (extended mix) good for peak time?

With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More house

More from Chris Lake

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track