Chemistry (extended mix) by Chris Lake cover art

Chemistry (extended mix)

Chris Lake

30s preview

Key
6A · G minor
BPM
127
Open Key
11m
Energy
90/100
Pop
0/100
Length
3:51
Released
2025
Genre
House
Loudness
-5.3 dB
Dynamics
8.3 dB
ISRC
GXFCP2500086

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Chemistry (extended mix) is a peak-time tempo house track in G minor (6A) at 127 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 93% of Chris Lake's catalogue
Low end:
more bass-heavy than 88% of Chris Lake's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood14Dark
Groove71
Acoustic2
Instrumental6
Live19
Speech16

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Chemistry (extended mix) in?

Chemistry (extended mix) by Chris Lake is in G minor, or 6A on the Camelot wheel.

What BPM is Chemistry (extended mix)?

Chemistry (extended mix) runs at 127 BPM, a peak-time tempo track.

What mixes well with Chemistry (extended mix)?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Chemistry (extended mix) good for peak time?

With energy 90 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 127 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More house

More from Chris Lake

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track