The Space Dance - That Kid Chris Remix
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 7:55
- Released
- 2008
- Album
- The Space Dance (Remixes)
- Genre
- House
- Loudness
- -8.9 dB
- Dynamics
- 10.0 dB
- ISRC
- USTB10803200
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Space Danceoriginal3A · 125
- The Space Dance - Main Room Dubstrumentalversion3A · 126
- The Space Dance - Terrace Editversion3A · 126
- The Space Dance - Terrace Vocalism Mixoriginal3A · 126
- The Space Dance - Antranig & Burchan's Transmission Mixoriginal11A · 126
- The Space Dance - DTNY Asseteria Dub Mixversion9B · 126
Against the original (3A at 125 BPM), this version runs 2 BPM faster in the same key.
The Space Dance - That Kid Chris Remix: peak-time tempo house, B♭ minor (3A), 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. More underground than 99% of Danny Tenaglia's catalogue.
- Brightness:
- brighter than 95% of Danny Tenaglia's catalogue
- Groove:
- less groove-driven than 89% of Danny Tenaglia's catalogue
- Low end:
- more bass-heavy than 75% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Space Dance - That Kid Chris Remix in?
The Space Dance - That Kid Chris Remix by Danny Tenaglia is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Space Dance - That Kid Chris Remix?
The Space Dance - That Kid Chris Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with The Space Dance - That Kid Chris Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Space Dance - That Kid Chris Remix good for peak time?
With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
