EYAH (You'll Be Alright) (extended mix)
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 69/100
- Pop
- 37/100
- Length
- 2:56
- Released
- 2024
- Genre
- Tech House
- Loudness
- -7.4 dB
- Dynamics
- 13.9 dB
- ISRC
- QM6N22424089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
EYAH (You'll Be Alright) (extended mix) is a peak-time tempo tech house track in B♭ minor (3A) at 127 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 98% of Westend's catalogue.
- Brightness:
- darker than 90% of Westend's catalogue
- Reach:
- better known than 88% of Westend's catalogue
- Energy:
- calmer than 85% of Westend's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is EYAH (You'll Be Alright) (extended mix) in?
EYAH (You'll Be Alright) (extended mix) by Westend is in B♭ minor, or 3A on the Camelot wheel.
What BPM is EYAH (You'll Be Alright) (extended mix)?
EYAH (You'll Be Alright) (extended mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with EYAH (You'll Be Alright) (extended mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is EYAH (You'll Be Alright) (extended mix) good for peak time?
With energy 69 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Westend
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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