Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub
- BPM
- 127
- Open Key
- 3m
- Energy
- 64/100
- Pop
- 1/100
- Length
- 6:29
- Released
- 2004
- Album
- Children Of Afrika (Oulé Oulé) [Dennis Ferrer Remixes]
- Genre
- House
- Loudness
- -10.2 dB
- ISRC
- GBCPZ0416533
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Bless The Children Mixoriginal10B · 127
- Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Blessed Drumsoriginal1B · 127
- Children Of Afrika (Oulé Oulé) - Dennis Ferrer's TV Trackoriginal10B · 127
Against the original (10B at 127 BPM), this version holds the same tempo and moves the key from 10B to 10A.
Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub: peak-time tempo house, B minor (10A), 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Calmer than 90% of Dennis Ferrer's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 84% of Dennis Ferrer's catalogue
- Brightness:
- brighter than 79% of Dennis Ferrer's catalogue
- Tempo:
- faster than 76% of Dennis Ferrer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub in?
Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub by Dennis Ferrer is in B minor, or 10A on the Camelot wheel.
What BPM is Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub?
Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub runs at 127 BPM, a peak-time tempo track.
What mixes well with Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Children Of Afrika (Oulé Oulé) - Dennis Ferrer's Jah-Rican Dub good for peak time?
With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dennis Ferrer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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