The Cure & The Cause - Radio Edit
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 63/100
- Length
- 2:36
- Released
- 2007
- Album
- The Cure & The Cause (Radio Edit)
- Genre
- House
- Loudness
- -7.9 dB
- Dynamics
- 12.9 dB
- ISRC
- GBCPZ0601666
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Cure & The Cause - Dennis Ferrer Remixremix11A · 126
The Cure & The Cause - Radio Edit: peak-time tempo house, G major (9B), 127 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2007 production that still circulates in sets. Better known than 99% of Dennis Ferrer's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 93% of Dennis Ferrer's catalogue
- Groove:
- less groove-driven than 88% of Dennis Ferrer's catalogue
- Low end:
- more treble-tilted than 83% of Dennis Ferrer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Cure & The Cause - Radio Edit in?
The Cure & The Cause - Radio Edit by Dennis Ferrer is in G major, or 9B on the Camelot wheel.
What BPM is The Cure & The Cause - Radio Edit?
The Cure & The Cause - Radio Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with The Cure & The Cause - Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The Cure & The Cause - Radio Edit good for peak time?
With energy 81 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dennis Ferrer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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