Are We Here? (30 Something) - Dusky Remix
30s preview
- BPM
- 127
- Open Key
- 11d
- Energy
- 81/100
- Pop
- 23/100
- Length
- 5:49
- Released
- 2022
- Album
- Are We Here? (30 Something) [Remixes]
- Genre
- Deep House
- Loudness
- -9.1 dB
- Dynamics
- 16.1 dB
- ISRC
- GBAAP2100253
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Are We Here? (30 Something) - Dusky Remix runs 127 BPM in B♭ major (6B), a peak-time tempo deep house record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). Darker than 88% of Dusky's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Dusky's catalogue
- Reach:
- better known than 81% of Dusky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Are We Here? (30 Something) - Dusky Remix in?
Are We Here? (30 Something) - Dusky Remix by Dusky is in B♭ major, or 6B on the Camelot wheel.
What BPM is Are We Here? (30 Something) - Dusky Remix?
Are We Here? (30 Something) - Dusky Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Are We Here? (30 Something) - Dusky Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Are We Here? (30 Something) - Dusky Remix good for peak time?
With energy 81 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 127 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.