Believe
- BPM
- 127
- Open Key
- 7m
- Energy
- 82/100
- Pop
- 6/100
- Length
- 4:09
- Released
- 2019
- Genre
- Tech House
- Loudness
- -6.5 dB
- ISRC
- DEX041900050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Believe sits in E♭ minor (2A) at 127 BPM. The groove is strong and floor-ready. It is vocal-led. Less groove-driven than 92% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 90% of Mihalis Safras's catalogue
- Brightness:
- brighter than 86% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Believe in?
Believe by Mihalis Safras is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Believe?
Believe runs at 127 BPM, a peak-time tempo track.
What mixes well with Believe?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Believe good for peak time?
With energy 82 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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