Mercury - Silicon Scally Remix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2018
- Album
- Mercury
- Genre
- Techno
- Loudness
- -12.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBQLP1800822
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mercury - Original Mixoriginal10A · 127
Against the original (10A at 127 BPM), this version holds the same tempo in the same key.
A peak-time tempo techno cut, Mercury - Silicon Scally Remix sits in B minor (10A) at 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 77% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Mercury - Silicon Scally Remix in?
Mercury - Silicon Scally Remix by Mark Broom is in B minor, or 10A on the Camelot wheel.
What BPM is Mercury - Silicon Scally Remix?
Mercury - Silicon Scally Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Mercury - Silicon Scally Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Mercury - Silicon Scally Remix good for peak time?
With energy 82 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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